Life lines

I'd sit there for hours at the dining room table, the Spirograph set in front of me with everything in its rightful place; the cogs and wheels laid out in their plastic packaging, four pens with different coloured inks, a corrugated card backing-sheet and the small pins with round yellow tops that would hold the wheels in place. The instruction leaflet showed me the countless ways I could produce intricate patterns, just by chasing a cog around a wheel; and I believed it. I was captured by the promise of the swirling patterns, by the idea that I could recreate those pictures from lines.

And sometimes I did. But more often than not, my hand would slip as I changed direction, or the paper would move where I hadn't pinned it down tightly, and my intricate pattern would be scarred by a jagged line of ink cutting through. I'd always been proud of my colouring-in, my skill at keeping the bright pencil shades inside the bold black lines, but this was different. In the Spirograph patterns, the lines haunted and taunted me, marking out my successes and failures for everyone to see.

As I sit here tonight I think of all the other lines. The thickening waistlines and thinning hairlines; the multiplying creases round our eyes, the pillow line that carves my face like a ventriloquist's dummy. I reflect on the times at work when I've tried to cross the line, or encouraged others to toe the line. I smile at the warm feeling of success and relief that comes on opening night, when after months of rehearsals, all the lines come out with the right words in the right order. I remember old relationships where I failed to draw the line or was too stupid to read between the lines. I recognise the thin line between right and wrong, between love and hate.

Then I look outside and see your vests flapping against my t-shirts on the washing line, and I remember the lines I wrote you in that e-mail, back before our beginning. I would never have guessed then of the marriage lines we'd share so many years later.

I think of the lines that mark the beginning and end of life, the umbilical cord, the blinking line on a heart monitor. I'm glad you are my life line.

Running out of role models

It was easy when I was young; I didn't need to work out who to be or how to behave, I just had to read a book.

It started with Pippi Longstocking, Astrid Lindgren's fiercely independent nine year old who lived in Villa Villekulla with a horse, a monkey and a suitcase full of gold coins. Who wouldn't want to be the girl with the strength to lift a horse, the imagination and determination to spend her days arranging adventures and telling outrageous stories? Pippi wasn't worried by her long thin legs, she wasn't in the least bothered that her nose was covered in freckles and she was positively proud of her hair in its two tight plaits that stuck straight out; so what could it possibly matter if someone called me skinny dripping, teased me for my freckles, or laughed at the way my carefully braided hair was looped across my head?

In time Pippi was followed by a succession of girls I might have been or could have been; the resourceful and rebellious Arrietty  from The Borrowers, the graceful and talented Posy from Ballet Shoes. As I grew, I found new characters to emulate, I built them into so much more than the typed letters on a page.

And then I found Elizabeth Bennett. My middle name is Elizabeth, I'm a second daughter; that was enough to grab my attention. When I found out she was intelligent, opinionated and favourite of her father's children, that was enough to keep me caught. Through her I defined my role as the sensible one in the family. I recognised my inclination to form an opinion too quickly, saw the implications of a judgement based on first impressions, learned the dangers of pride and prejudice.  I still mostly didn't get it right, but she helped me believe that mistakes could be overcome, that there were always second chances. And that kept me going for a long, long time.

But the trouble with Elizabeth Bennett is that she ceased growing up nearly two hundred years ago. She never got to be middle-aged; she didn't have to worry about what to do with greying hair and increasing girth. She married into a stately home, so what would she know about paying a mortgage into pension age, she never became a working mother or grandmother. I can't turn to her for advice on how to handle a re-structure at work; she can't tell me how to muddle through a long day in the office and still be half-awake and slightly interesting when I get home.

So I need a new role model; someone for this century and today's world; I just don't know where to find her. And for the first time in my life, books have let me down. I don't see any authors creating a positive pitch for the past-her-prime lady. I can't find the novel where it all turns out well for the woman who ought to know better by now; I've yet to read the story of the almost-invisible someone starting their second half-hundred; or the fable of the grown-up girl who is still trying to find out what to think and how to be.

I hope she's out there somewhere. Maybe she's just starting to come together, letter by letter, page by page. I'd love to think that one day I'll pop into a bookshop, pick up something that catches my eye, turn to the first page, and suddenly learn that there's another truth that's universally acknowledged.

No lighthouse

It's been a long day, a long week, and I'm bone-tired as I get into the car to drive home. A small voice tells me it wasn't the best idea to go out tonight, to drive 60 miles for dinner after 12 hours in the office. But the small voice's invincible sidekick tells me a night out was just what I needed. And it has been lovely; relaxed friendly chat, catching up on news of friends, swapping stories of visiting guests, telling tales of office colleagues.

The road is dark and I'm the only one on it. No street-lights out here in the country, no headlights from passing cars.

I feel the waves of sleepiness rise up, feel the heaviness at the back of my eyes, I try to swallow down the weight and the lethargy. I know how quickly I fall asleep at home, how hard I fight to stay awake in front of the tv and how soon I lose consciousness the minute my head hits the pillow. I know how easily I could drop off now.

Bright cats-eyes dance on the road in front of me, then suddenly I feel them under the tyres and realise I've swerved, I pull back sharply to where I ought to be, to my side of the road. For a moment I'm wide-awake, blinking in panicked shock, but then the sense of slipping comes again.

Twenty miles to go, half an hour to home.

I turn up the radio, blast out the air-conditioning, gulp down great mouthfuls of cold air. I'm not really listening to the radio, the voices merge with the thoughts in my head; the conversations of tonight, the confrontations of the day, all mixed together in no clear stream, with no clear sense. I move my head from side to side, feel the muscles in my shoulders stretching, my spine clicks. I imagine someone pulling a string tied to the top of my head, lifting me up tall and straight.

As I pass a lay-by I think of pulling over, but I'm too stubborn to stop, too scared  to sit at the side of the road by myself, so I drive on. I think of speeding up, perhaps if I get there quicker, I'll beat the almost irresistible weariness.

A huge lorry looms up out of the darkness, seemingly out of nowhere. The row of lights across the top of the cab dazzle me, shining out like stage lights on opening night. I blink awake and shrink back like a hidden creature retreating when a stone is overturned.

When I finally get home, the street is dark, our house is asleep; no lights at the windows, no lamp above the door. I'm strangely angry that there's no brightness to greet me; I want a lighthouse beam to recognise how close to the rocks I've been, to guide me safely the last few yards.

I fumble for the key, feel for the lock and guide it in. I feel clumsy and stupid; I know I'm not angry with the dark house but with myself; I know just how easily I might have been slipping, not into the dark comfort of home, but into another kind of darkness altogether.

The orchid

It's not flowering at the moment, but that doesn't matter. I know, like all the best things, it will be worth the wait. I know that when the white buds return they will surprise and please me again, taking me back to the day I first saw it.
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The first time we met was the day I took the photo for his ID card. Like all new members of staff, his introduction to the organisation included the humiliating ritual of stepping into my small office and facing the  camera. Like the others, he stood patiently while I struggled to assemble the tripod, while I waited for the laminator to heat up. We made small talk while we waited. At least I did - I think he probably watched in stoic northern bemusement while I went through my standard "oh you'll like it here, everyone's very friendly" routine.

It was probably a year later that I got a promotion and we ended up working in the same office. I finally felt I was moving on - making some progress, from the failed marriage, the unfinished teaching degree, the never-quite-good-enough job as mother and the gratefully accepted but never-quite-aspired-for role in admin. He treated me like a grown up and a proper colleague, listened to what I had to say, argued strongly when he thought I was wrong, but never once patronised me or treated me like an idiot.

He sat at the other end of the office. I couldn't see him from my desk, but I could hear him. Some days he drove me mad, coughing and clearing his throat, until I ended up choking in strange sympathy. Other days he circulated Tommy Cooper jokes that caused a ripple of laughter to circulate round the office, so you'd know each time someone else opened the e-mail.

I remember the summer day when he spilt sugar all over his bare sandalled feet and spent the day with sparkling grains between his toes, I remember how pleased he seemed when I finally managed to make a cup of tea strong enough, how I never told him that I'd cheated and used two teabags. I remember how I felt when he said he liked my new haircut.

Sometimes we'd sit together in the canteen at lunch-time, he the committed vegetarian, moaning about the quality of the fish; me the total carnivore marvelling in the roast pork and crackling. We never really knew much about each other, but he'd stop and talk sometimes when he passed my desk, and I guess that's why he was the first to know that I'd managed to climb another rung on the slippery ladder, that I'd be leaving in a month to work across the river in a bigger taller building.

I hadn't expected him to come to my leaving drinks, I'd never seen him out with the Friday night crowd, I don't think I'd ever seen him outside of work. I was pleased that he joined us as we walked up towards the Windmill pub in The Cut, it felt right when he fell in beside me as we passed the Old Vic. I'd already had my leaving presentation in the office and I'm ashamed to say now that I can't remember what they'd all clubbed together to buy me. But I'll never forget the present he shyly handed to me as we walked up the road.

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We bought a new pot for it when we moved into this house, it sits on the windowsill above the sink and it's there every morning when I look out at the garden. It's more than ten years old now, and like him it's become part of my life. It might not be flowering just now, but I know it will be just beautiful for a long time to come.

On the side

I'm not sure exactly when they arrived. One day the sides of the motorway were just plain banks of grass, the next, there was a swathe cut through and a tarmac path running parallel to the road. Suddenly there were three caravans, parked nose to tail on the concrete, traffic cones marking their space like a red and white picket fence.

There are net curtains at the windows; a strange suggestion of homeliness, and once or twice I've seen a man emerge blinking into the early morning sunshine as I pass by on my way to work. He wears the violent lime-green overalls of a construction worker and I wonder if he is actually living at the side of the road.  The transition from my quiet home to the hectic madness of the motorway is always a shock to me; I can't imagine what it must be like to have no transition at all, to spend your working days and sleeping nights on the side of the road. This is one of the busiest motorways in the country, there is no end to the roaring traffic, and as the lorries thunder past rocking the fragile trailers, I think it must be like living in a constantly churning tumble dryer.

I wonder what the workers do once they've finished for the day. I picture a thick-set man in his late forties, ducking his head to step through the small doorway. He takes off the hard-hat he's been wearing all day and tries to rub away the lines it has left on his forehead. Then he eases off the heavy boots and places them together just inside the door. I see him trying to wash the grime of the road off his hands at a small stainless steel sink, before heating a tin of beans on a tiny two-ring stove. What does he do for the rest of the evening? Perhaps he's slumped back against the geometric-patterned fabric of a thin bench, peering at a portable TV; he must be frustrated at the quality of the picture, the poor reception caused by the constant traffic. Does he sit at the small table playing game after game of solitaire,or quietly reading until his eyes get heavy and he realises he's almost asleep and missing half the words? I smile at the thought that one night he might order himself a take-away;  at the image of the bewildered pizza-boy, trying to find the right lay-by.

The roadworks are scheduled to last until the summer of 2012; twelve months of contra-flow systems and traffic cones; a whole year of speed limits that the crawling traffic has no chance of breaking, and speed cameras that threaten us should we dare. As summer turns to autumn, winter, then spring, I'll pass through this way on my journey  to work each day and back again in the evening. I've no doubt I'll complain when the traffic is bad, swear when I get held up. I won't enjoy the journey, but I will be grateful that, unlike the imagined residents of the roadside caravans, I am just passing through.

Staying over

It's sometimes blindingly obvious - that link between childhood fascinations and grown-up obsessions. It takes no effort at all for me to trace the journey from standing with my Dad, on the terraces at Crystal Palace football club, to standing with Philip behind the goal at Bromley FC.  It's almost as easy to see how my my love for Formula 1 racing started when we walked beside the wide tracks of the one-time racing circuit in Crystal Palace Park, or listened to the roar of the engines from the back door step at home.

It isn't always quite as simple to understand the impact of the things we never did, those things that went unnoticed and unremarked at the time.

Looking back I think we must have been fairly self-contained as a family; the characters in my memory bank are always my parents, grandparents and sisters. Apart from an occasional aunt and uncle, I don't remember any other visitors. Perhaps there were friends of my parents who made quiet calls after I'd gone to bed, but if they did, there were never any traces of their presence the next day. And, apart from the time when my Nan was really sick, I never, ever, remember anyone coming to stay.

No childish sleepover ending in a top-to-toe bed-share; no late night dinner party leading to a blanket- draped figure on the sofa. No strange coats thrown over the banisters at the bottom of the stairs, no odd toothbrushes in the bathroom, no politely embarrassed conversations over breakfast.

Our house wasn't big; five of us and only three bedrooms, but it never felt too small to me, certainly not like Maria from school, who lived with her six brothers and sisters in one of those tiny houses overlooking the cemetery. We didn’t have central heating, but hardly anyone I knew did then –we were used to the winter frost on the inside of the bedroom windows, to cowering under the wall heater in the bathroom, to sitting in the kitchen with all the gas rings blazing to keep us warm while we ate. But the house was always clean; properly clean. not just a tidy-away-the-newspapers-and  flick-the-hoover-round clean. 

I never asked then, and I wouldn’t dream of asking now, so I'll never really know why nobody came to stay.  But in the midst of all that didn't happen, I somehow missed out on a whole heap of life lessons, on the etiquette of staying over.

I never quite grasped how much cleaning in advance is a good thing or when to stop; I could never see the boundaries between thoughtful hospitality and force-feeding. I never learnt when it was ok to admit to tiredness, to suggest it was time for bed; and I never understood the proper arrangements for getting up in the morning or agreeing the order for the bathroom. I couldn't work out if it was better to take in a cup of tea and risk waking people too early, or to wait until they decided to surface and risk leaving them feeling ignored. I never reached that state of relaxed happiness where you know your guests are having a grand time and you can stop trying to fend off their boredom and disappointment.

For years I shied away from inviting people to stay; in my head I invented all sorts of reasons why it was a bad idea or simply inconvenient. 

This weekend I learned something I never found out as a child; if you invite good people because you enjoy their company, you end up enjoying their company. Your new house begins to feel a bit more like home and you start to see the place where you live with different eyes. You might even begin to feel a strange sense of pride that your village has the only listed duck pond in the country and the largest scale model of the solar system in the world. It might not even matter if you don’t quite get the etiquette right, you could still have a simply lovely time.

And this weekend we did.

Lazy Sunday afternoon

Leicester Square on a Sunday afternoon is all the very worst of London.

Crowds of people mill around, with no obvious sense of purpose or direction; tourists spill noisily from over-priced chain restaurants; the scents of sweat and grease mingle as their bodies and burgers are warmed in the sunshine.

Dark blue hoardings section off half the square, proudly proclaiming "we're getting ready for 2012". Here in 2011, people negotiate their own version of an Olympic steeplechase round the half-completed road works. As you pause outside the Odeon, imagining a red carpet rolled out across the upended paving slabs, you wonder what the Hollywood stars would make of this shabby London première; ball-gowns and high-heels mixed with JCBs and potholes.

Tucked between the restaurants and bars are the small shops, stacked high with souvenirs; in one, there are enough t-shirts to bestow an artless slogan on everyone in the square; in another a sea of red plastic - miniature London buses, telephone boxes, Royal Mail post-boxes. Do people ever really buy these as gifts for their loved ones, or is the whole world caught up in a game of "bring me back the worst thing…"?

In one corner of the square there’s a side street where tall buildings block out the sunshine; their shade acts as a deterrent to the crowds and it's suddenly quiet. At the far end there's an old-fashioned pub; the unwelcoming threat of its dark black exterior is mellowed by the gold lettering of the name picked out above the windows and a long cold drink is suddenly the thing you need most.

Stopping just inside the door, you take a moment to adjust to the gloom. There's a long bar on the left, and you're surprised to see how many people are standing against it; a part of you still thinks that Sunday afternoons are for sleeping off a roast dinner in front of the TV. At the far end there’s a seating area where padded leather benches line the oak-panelled walls. Red-shaded wall-lights are reflected in the wood, their glow a testament to centuries of polishing. Hanging between them, the glaring faces of lords and politicians send out their own gilt-framed messages of history and you begin to understand why this place is called The Imperial.

The leather benches are the colour of dried blood, and just for a moment, when you see the jumble of music cables spilling out over them, you think of entrails, but then you notice the guitar case that sits bolt upright and alone, quietly claiming the space, politely waiting its turn. You know that it's waiting for the singer to give it a voice, to introduce it to the crowd.  So you find a wooden chair and wait.

The afternoon wears on and an ever-changing stream of tourists, Londoners, drinkers, singers and listeners passes through the bar. You watch them come and go, see them stop for a drink and stay a while for the music. You notice how tense they seem when they come through the doors and how quickly they relax. You begin to realise the value of this place, so steeped in history but welcoming the new; happy to accept both young and old, strange and known.

And then you know, that this small place just yards from Leicester Square, is all the very best of London.