It's been two months since my last post. I stare at the screen and the curser flashes back at me - challenging, accusing - "where have you been? How do you account for yourself?"
Two months... So much and so little. An interval, an aeon, a blink of an eye.
Last night, we ate cherries from our allotment; the first crop, the ones we'd managed to protect from the birds. I chanted as I lined up the stones at the side of my plate "Tinker, Tailor, Soldier, Sailor, Rich Man, Poor Man, Beggar Man, Thief", the rhyme rolled off my tongue as though I'd said it only yesterday. My delight in ending at Rich Man just as strong as the last time that happened, more than forty years ago, in the kitchen at Croxted Road.
This morning, as I dressed for work, I remembered the green pleated skirt I'd bought with the first wages from my Saturday job at Woolworths. I pictured the small clothes shop in West Norwood High Street, imagined myself once again sliding the hangers along the rail, picking out the skirt and taking it into the tiny changing room. I saw my younger self trying it on, twirling and circling in front of the mirror, watching the fabric spinning out wide.
A week ago, a letter arrived. Addressed to The Householder, it came from an insurance company trying to find the family of a man who'd once lived here. I wonder what that would be like, to live and die, distanced from family, leaving no mark.
Two months... Birthdays, a wedding, a weekend in Reading. Formula 1, football, a Wimbledon champ. Sunshine in Greece, fields filled with lavender, working and reading and digging and weeding.
On Thursday it will be five years since the day Philip and I stood side by side in a Dartford registry office, promising to love til death do us part.
Time flies so quickly, and yet not at all.
Tuesday, 30 July 2013
Monday, 27 May 2013
Saying goodbye
Being English, we don’t talk about death. We moan about
getting old, about aching and forgetting things, about going to work and
wishing for retirement, but we never discuss the alternative. We just pretend that
it will all go on for ever. And we always think there’ll be more time. Time to
spend with friends and family, time to laugh and cry, time to find out a little
bit more about that man you never knew well, but who always made you smile.
Except that sometimes there isn't more time, and it’s only
when it’s too late that you find out that a man you admired, is really called
Keith and not Dobbin; that he liked steam trains and fishing; loved holidays in
Scotland, and that he once dressed up as a woman to play in goal for a ladies’
football team.
And then you learn something more. You begin to see that sometimes
it’s possible to do so much more than work and sleep and pass a life away. That
it is possible to live a life that builds meaning around family and home; that
counts laughter and friendship as more important than money; that brings out a
whole village.
Shoreham is a special place; it draws the best of people
into its heart and cherishes them. And when it’s time to let someone go, it does
so with dignity and pride; with laughter, tears, and more than a little drunkenness.
Shoreham was exactly the right place for Dobbin to live, and, on Friday, as I stood
on the bridge over the river and watched 52 blue and white balloons soaring
into the sky and floating away down the valley, it was also exactly the right
place from which to say goodbye.
Thursday, 4 April 2013
The watch
It's early evening, and we're side by side on the sofa, each of us at our habitual end, with just enough room for Martin the cat to sneak in between if he wants to. Tonight though, there's no cat, and it's Philip's arm that fills the space. I glance down at the pale, faintly freckled skin, and smile to myself in recollection of conversations we've had, more regularly than you might expect, about the way his arm hair shines in the sunlight or moves in the breeze. It's a long time now since I first declared them 'kindly arms', but that's what they've always seemed.
For a tall man, his wrists are surprisingly thin; small enough for me to enclose between finger and thumb, and there, just above his left wrist, is the watch he always wears. No fancy metallic timepiece, just a simple clear dial,with proper numbers and a no-nonsense leather strap. Perhaps he's seen me looking, "I got a new battery for my watch today" he says. Maybe he's realised I'm in reflective mode "I've had this watch for twenty-five years now."
Twenty-five years, a quarter of a century, more than half his life. I think about the young man he must have been back then, way before I knew him. A man prepared to leave his home town to find a job, leaving behind so much but never quite shaking off his political passion or his northern accent. A man who worked his way gradually southwards, making new friends, trying new experiences, keeping James Stewart as his moral guide.
Twenty-five years, a quarter of a century, less than half my life. I think about the woman I was back then, way before I knew him. Newly pregnant with my fourth child, excitedly planning the move to our dream home, busily building castles in the air. I never left the south of England, never lived more than twenty miles from the London suburb where I was born and grew up. My journey was a different one; circular steps through love and friendship gained and lost.
It's early evening, and we're side by side on the sofa, each of us at our habitual end. I glance down at Philip's arm, at the watch he always wears. The second-hand clicks forward and time moves on. Silently, persistently, through the minutes and the hours and the years.
For a tall man, his wrists are surprisingly thin; small enough for me to enclose between finger and thumb, and there, just above his left wrist, is the watch he always wears. No fancy metallic timepiece, just a simple clear dial,with proper numbers and a no-nonsense leather strap. Perhaps he's seen me looking, "I got a new battery for my watch today" he says. Maybe he's realised I'm in reflective mode "I've had this watch for twenty-five years now."
Twenty-five years, a quarter of a century, more than half his life. I think about the young man he must have been back then, way before I knew him. A man prepared to leave his home town to find a job, leaving behind so much but never quite shaking off his political passion or his northern accent. A man who worked his way gradually southwards, making new friends, trying new experiences, keeping James Stewart as his moral guide.
Twenty-five years, a quarter of a century, less than half my life. I think about the woman I was back then, way before I knew him. Newly pregnant with my fourth child, excitedly planning the move to our dream home, busily building castles in the air. I never left the south of England, never lived more than twenty miles from the London suburb where I was born and grew up. My journey was a different one; circular steps through love and friendship gained and lost.
It's early evening, and we're side by side on the sofa, each of us at our habitual end. I glance down at Philip's arm, at the watch he always wears. The second-hand clicks forward and time moves on. Silently, persistently, through the minutes and the hours and the years.
Thursday, 21 March 2013
Nicholas Nickleby - a preview
"So.. any ideas for our next play?"
"Well, I was thinking, perhaps Nicholas Nickleby"
"Mmm.. sounds interesting. Can't go wrong with a bit of Dickens. Anyone staged it before?"
"Oh yes, in 1980, The Royal Shakespeare Company's production became a theatrical legend, and nearly thirty years later the Chichester Festival version took the west end by storm."
"So nothing much to live up to then, tell us more."
"Well, it's got a cast of over 70 characters; all ages from malnourished children through to doddering theatricals; heartbroken Nicklebys, heartbreaking Smike, the evil Squeers and the frighteningly bad Crummles Theatre Company."
"oh...."
"And 36 scenes that range from London to Yorkshire and on to Portsmouth; including a roadside inn, a run-down school, a gentleman's parlour, a milliner's showroom, the open countryside, and a travelling theatre stage."
"I see..."
"And you were thinking we could put this on in the village hall?"
"Oh yes, we can have it ready for March."
And now, suddenly, it is March. And tonight Nicholas Nickleby Part One will open in the village hall.
Scheduling the rehearsals, to bring a huge cast to the hall for the right scenes on the right day, would have baffled even the logistics specialists at Eddie Stobart. Creating the costumes that could take us from Dickensian London to Shakespearean Verona, would have had even the wardrobe ladies of Strictly Come Dancing quaking in their sparkling boots. Sourcing the props and assembling the sets, a design challenge that no Sixty-Minute-Makeover could ever have achieved. Above all that, casting 40 people and steering them through from faltering incoherence to confident eloquence, with only encouragement and support to keep them on track, was something that only the bravest director would have attempted, or achieved.
Never can it be said that the Shoreham Village Players lack heart. For those of you lucky enough to be there tonight, you will see what happens when a brave woman decides to take that heart and send it beating through the village. If you don't yet have tickets, get down to the village shop and snap up the last few, not only will you get to experience a fine night at the theatre, you'll get to see what makes Shoreham the very best village in the world.
Saturday, 23 February 2013
Fish and chips on a Friday
Fish and chips on a Friday. Feeling grown up as you leave the house, clasping the money and trying to remember what everyone wants. Climbing over the brick wall to cut across the green, staying away from the busy main road. Following the scuffed-grass path, but slowing down to peer through the iron railings into the small back gardens of the ground-floor flats. Waiting for a moment by the pink plastic windmill, watching it spin wildly in the slightest breeze, then carrying on along the pavement, with its faded markings from the last game of hopscotch. Up the hill to Rosendale Road, past the huge metal gate that was always shut, knowing it was there to keep the cars out but let the fire engines in. Waiting to cross the busy road, peering out between the parked cars and then dashing across to the chip shop. Staring through the glass front of the counter, past the pieces of fish lined up in a row and down into the bubbling churning cooking oil, where the dancing chips were trapped in a deep wire basket.
Fish and chips on a Friday. Always eaten straight from the paper, but with the paper set down on a plate, so you could balance it on your lap as you watched the tv in the corner. Too many chips, always too many chips, soaked in vinegar and too much salt. Small fingers picking between the sharp thin edges to grasp the softer thicker ones. Breaking off the tail of the cod first, with all its crunchy batter, then biting into the thicker part, realising too late it was still piping hot. Sucking in cold air, trying to cool the fish down. Holding your hand over your open mouth so nobody else could see as you moved it from side to side, hoping it wouldn't burn.
Fish and chips on a Friday. Forty years later and a different part of town. A five minute trip in the car, to bring back the Styrofoam packages and tip them out on a plate. We sit at the big wooden table, the tv screen high on the wall. I still eat the crunchy tail end of the cod first, but the brightly-coloured plate next to mine has a sausage neatly sliced and there's no salt or vinegar on the chips. Too many chips, always too many chips. Small fingers pick between the sharp thin edges to grasp at the softer thicker ones. Eddie looks up at me as we both blow gently to cool them down, “I like chips Nana.”
Fish and chips on a Friday. Always eaten straight from the paper, but with the paper set down on a plate, so you could balance it on your lap as you watched the tv in the corner. Too many chips, always too many chips, soaked in vinegar and too much salt. Small fingers picking between the sharp thin edges to grasp the softer thicker ones. Breaking off the tail of the cod first, with all its crunchy batter, then biting into the thicker part, realising too late it was still piping hot. Sucking in cold air, trying to cool the fish down. Holding your hand over your open mouth so nobody else could see as you moved it from side to side, hoping it wouldn't burn.
Fish and chips on a Friday. Forty years later and a different part of town. A five minute trip in the car, to bring back the Styrofoam packages and tip them out on a plate. We sit at the big wooden table, the tv screen high on the wall. I still eat the crunchy tail end of the cod first, but the brightly-coloured plate next to mine has a sausage neatly sliced and there's no salt or vinegar on the chips. Too many chips, always too many chips. Small fingers pick between the sharp thin edges to grasp at the softer thicker ones. Eddie looks up at me as we both blow gently to cool them down, “I like chips Nana.”
Thursday, 7 February 2013
The 13.07 from London Victoria
I hadn’t noticed the suitcase at all when I sat down. I’d been so pleased that the train had arrived early, that I could take my choice of seats in the empty carriage and sit reading my book in peace until it was time to leave.
“Erm… Excuse me, is that yours?”
I turned round, not sure if the question was meant for me, and saw a short balding man, pointing to a battered leather case on the luggage rack.
“No, no…” mumbled an elderly gentleman, who’d taken the seat just behind me. He sounded embarrassed, apologetic, as though the case really should have been his, or as though, at the very least, he should have been able to explain why it was there.
“Is it yours?” the short balding man turned to me.
I looked up again at the faded blue suitcase, with its brass locks, and the sort of thick handle you could just imagine clasping comfortably. I hadn’t seen luggage like that for a very long time; all angles and corners, no wheels and pull-handle, no hard plastic, or zip-pockets. This was a suitcase made for the days of long slow journeys, for a time of uniformed porters and heavily laden luggage trolleys. A suitcase made for a luggage rack on a very different sort of train.
“No, not mine” I answered with a twinge of regret.
“Oh dear, oh dear” he began to bluster, looking back to the still open train doors, then up to the rack, then around the carriage. “oh dear, oh dear, oh dear”
He looked around again, uncertainty etched into his frown.
“I’ll have to report it… you can’t just leave a case…there’ll be a delay… it’ll cause all sorts of problems…”
He looked like a man who’d been brought up to do his duty, the sort of boy who always snitched on his class-mates, the sort of man who’d never leave work early on a Friday afternoon. He leaned forward, peering out of the door, searching for someone in authority. If he’d had a whistle in his pocket, he’d have blown it, shrill and hard.
Then a young, bearded, wild-haired man jumped on. Shoving past the short balding man, without a glance at the elderly gentleman and oblivious of me, he headed straight for a seat by the window. The seat just under the luggage rack.
Blustering, balding man turned back into the carriage, “is it….” He started to ask, just as the young bearded man reached up towards the suitcase.
And as the words died on his lips, as the elderly gentleman watched silently from his seat, as I looked on from across the aisle, the young, bearded, wild-haired man reached up and flicked open the lock.
“Erm… Excuse me, is that yours?”
I turned round, not sure if the question was meant for me, and saw a short balding man, pointing to a battered leather case on the luggage rack.
“No, no…” mumbled an elderly gentleman, who’d taken the seat just behind me. He sounded embarrassed, apologetic, as though the case really should have been his, or as though, at the very least, he should have been able to explain why it was there.
“Is it yours?” the short balding man turned to me.
I looked up again at the faded blue suitcase, with its brass locks, and the sort of thick handle you could just imagine clasping comfortably. I hadn’t seen luggage like that for a very long time; all angles and corners, no wheels and pull-handle, no hard plastic, or zip-pockets. This was a suitcase made for the days of long slow journeys, for a time of uniformed porters and heavily laden luggage trolleys. A suitcase made for a luggage rack on a very different sort of train.
“No, not mine” I answered with a twinge of regret.
“Oh dear, oh dear” he began to bluster, looking back to the still open train doors, then up to the rack, then around the carriage. “oh dear, oh dear, oh dear”
He looked around again, uncertainty etched into his frown.
“I’ll have to report it… you can’t just leave a case…there’ll be a delay… it’ll cause all sorts of problems…”
He looked like a man who’d been brought up to do his duty, the sort of boy who always snitched on his class-mates, the sort of man who’d never leave work early on a Friday afternoon. He leaned forward, peering out of the door, searching for someone in authority. If he’d had a whistle in his pocket, he’d have blown it, shrill and hard.
Then a young, bearded, wild-haired man jumped on. Shoving past the short balding man, without a glance at the elderly gentleman and oblivious of me, he headed straight for a seat by the window. The seat just under the luggage rack.
Blustering, balding man turned back into the carriage, “is it….” He started to ask, just as the young bearded man reached up towards the suitcase.
And as the words died on his lips, as the elderly gentleman watched silently from his seat, as I looked on from across the aisle, the young, bearded, wild-haired man reached up and flicked open the lock.
Saturday, 12 January 2013
Ascent of friendship
"You smell nice" he says, taking his usual place in the passenger seat, as I turn the key to start the car. I don't say much in return, a small "thank you", a smile and nod, but he knows I appreciate what he means. And I know that it means we're ok to set off.
It's a worrying world when you've no sense of smell. From the scary realisation of a gas ring left on in the next room to the small irritation of only noticing there's something wrong with the milk when the lumps start surfacing in your tea. It's the embarrassing discomfort, when visitors arrive, of not knowing whether the house smells of cat, or the drains are blocked. It's the worry on a summer's day for the dampness under your arms; the hesitation before you pull off your boots at the end of a long walk. It's the aching frustration of a garden full of roses, whose scent you'll never know, the warmth of new-born baby, you'll never quite recall.
I've been like this for a long time, and after a failed attempt at a surgical solution last year, I've sort of learned to live with it. I thought I knew all the difficulties and had worked round the constraints.
But then we went to Paris.
And for some unknown reason in that capital of fragrance, with a parfumerie on almost every corner, and friends who know, really know, all about scents, I decided I wanted some new perfume.
As we walked through the door of the Parfumerie Nicolai, my confidence sank through the floor. Ahead of me the walls were lined with shelves, each of the shelves holding a line of clear glass bottles. I hung back while the others strode in purposefully, while they read the labels and looked for the scents they already knew. As I watched Kelly and Nathan spraying small strips of white card and waving them gently under each others noses, talking all the time about the different elements of each perfume, I realised that French was not the only language I'd struggle to understand that day.
I tried to look around nonchalantly as they assessed and compared, ranked their favourites and turned down the no-hopers. I looked at Philip as he took his own journey of discovery, testing and pronouncing on the good, bad and indifferent. The terribly polite shop assistant stepped forward to offer his help. He knew he was among connoisseurs, that his careful explanations of the elements would be understood and evaluated. I listened as they exchanged views. I prayed silently that he wouldn't notice me, but of course he did. "What do you like?" He asked, fully expecting that, like my friends I'd have a clear range of preferences. How was he to know, that in the centre of all those scents I could smell nothing. Absolutely nothing. "I'm sorry" I mumbled, "my nose - it is broken..."
I tried to sense something, I really did. Breathing deeply, I licked my lips and inhaled, hoping that I might taste what I couldn't smell; but nothing. I wanted to leave, but the others were still engrossed. I thought about stepping outside, pretending I was too hot. Then I heard them all talking,
"I like this one, what do you think?"
"Yes, that's good, I think that might suit her"
"I agree, and that's the first one we've all liked."
"That must be the one"
In a few more minutes it was done. And the terribly polite shop assistant handed me my very own bottle of perfume in a small white bag.
I wore it for the rest of the holiday and each time I did, one of them said "you smell nice." I've worn it every day since, I've even looked it up on the internet and apparently it smells of orange, cinnamon and vanilla. Perhaps it does, though the truth is, I'll never know. To me, my small bottle of perfume will always smell of Paris and friendship.
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